Myrtle Island
One of Lovely’s handful of pixel paintings built on a scaffolding of “painted digital squares,” this one capitalizes on a color arrangement theory that she describes as a “Manet juxtaposition: When you put one color next to another it changes the value of that color. When you see the relationships between the colors the image starts to take on a personality and feel of the place. As you examine the blocks, pull back, and take it in overall. If you squint you can see the marsh on Myrtle Island.”
Dimensions: 20H x 24W | Medium: Oil on Linen
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Categories: Landscapes, Pixel